UFOs Essay -- essays research papers

College Football Recruiting free essay sample

Second half senior year February †first football National Letter of Intent Signing Day with universities (www. ncaa. organization) April †second National Letter of Intent Signing Day Key Roles ETHS school consultants †truly educated, scholastic center ETHS mentors †get ready features DVDs, make proposals to school mentors, exhort competitors, center around great condition for understudy competitor Athlete and guardians †recognize schools, thin decisions, seek after mentors and self advance, push for duties, submit, best case scenario time Third gathering guides ETHS mentor sends letter to chosen school mentors with rundown of possibilities, tallness, weight, GPA, and contact data Athlete sends letter to chosen mentors expressing genuine enthusiasm for program and joining athletic resume including: contact data, GPA, test scores, scholarly distinctions, and athletic data, for example, stature, weight, insights, grants, references, and feature DVD and bearings to ETHS football web address for feature DVD get to. structures accessible) Athlete considers taking prep course for ACT and SAT and takes ACT and SAT. We will compose a custom article test on School Football Recruiting or on the other hand any comparative subject explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page Register with NCAA clearing house Considering partaking in secondary school football testing and rivalry centers, including for instance National Underclassmen Football Combines (www. nationalunderclassmen. com) College visits Summer after junior year Continue school visits Consider going to school football crew prospect camp Solicitation ETHS lead trainer to compose explicit letters of suggestion to favored school mentors Call, compose, email, and content school mentors to show intrigue and to pose inquiries about football program and how much intrigue school has in player Fall senior year Submit applications to short rundown of universities Go to up to five paid for legitimate school football selecting visits Continue contact with mentors from top decision schools Ask ETHS mentors to make initial 4 game feature DVD and send to school mentors Narrow rundown to top 4 †6 schools Push grant program mentors to submit that they will offer grant as well as push non-grant program mentors to submit that they will utilize all impact with confirmations office for affirmation Prepare to settle on decision and to focus on one school Winter/spring senior year Continue to squeeze school mentors and to concentrate on top rundown February is first NCAA letter of purpose marking day April is second letter of plan marking day Key Concepts Procedure begins enormous with bunches of schools and information and must be driven consistently down to less schools with best fit Accurately surveying athletic expertise level and scholastic status is critical to long haul achievement Athlete should forcefully search out football program that fits and will work long haul Many assets are accessible to help, however competitor and guardians together should push procedure and individuals to make progress Gradually after some time must press school mentors for duties of grants at grant program schools or responsibilities of affirmation at non-grant schools If playing football in school is fundamental, ensure program is at right level for the competitor.

The loser who never gave up!

The loser who never gave up! When he was a little boy his uncle called him “Sparky”, after a comic-strip horse named Spark Plug. School was all but impossible for Sparky.He failed every subject in the eighth grade. He flunked physics in high school, getting a grade of zero. He also flunked Latin, algebra and English. And his record in sports wasnt any better. Though he did manage to make the schools golf team, he promptly lost the only important match of the season. Oh, there was a consolation match; he lost that too.Throughout his youth, Sparky was awkward socially. It wasnt that the other students disliked him; its just that no one really cared all that much. In fact, Sparky was astonished if a classmate ever said hello to him outside of school hours. Theres no way to tell how he might have done at dating. He never once asked a girl out in high school. He was too afraid of being turned down or perhaps laughed at. Sparky was a loser. He, his classmates everyone knew it. So he learned to live with it. He mad e up his mind early that if things were meant to work out, they would. Otherwise he would content himself with what appeared to be his inevitable mediocrity. One thing WAS important to Sparky, however drawing. He was proud of his artwork. No one else appreciated it. But that didnt seem to matter to him. In his senior year of high school, he submitted some cartoons to the the yearbook. The editors rejected the concept. Despite this brush-off, Sparky was convinced of his ability. He even decided to become an artist.So, after completing high school, Sparky wrote Walt Disney Studios. They asked for samples of his artwork. Despite careful preparation, it too was rejected. One more confirmation that he was a loser.But Sparky still didnt give up. Instead, he decided to tell his own lifes story in cartoons. The main character would be a little boy who symbolized the perpetual loser and chronic underachiever. You know him well. Because Sparkys cartoon character went on to become a cultural phenomenon of sorts. People readily identified with this lovable loser. He reminded people of the painful and embarrassing moments from their own past, of their pain and their shared humanity. The character soon became famous worldwide: Charlie Brown. And Sparky, the boy whose many failures never kept him from trying, whose work was rejected again and again, is the highly successful cartoonist Charles Schultz. His cartoon strip, Peanuts, continues to inspire books, T-shirts and Christmas specials, reminding us, as someone once commented, that life somehow finds a way for all of us, even the losers.Sparkys story reminds us of a very important principle in life. We all face difficulty and discouragement from time to time. We also have a choice in how we handle it. If were persistent, if we hold fast to our faith, if we continue to develop the unique talents God has given us, who knows what can happen? We may end up with an insight and an ability to inspire that comes only through har dship. In the end, there are no losers with God. Some winners just take longer to develop!By CAPT J. David Atwater, CHC, USNCharles Schulz (November 26, 1922February 12, 2000)About Charles Schulzs cartoon:The Peanuts CartoonPeanuts is a syndicated daily and Sunday American comic strip written and illustrated by Charles M. Schulz, which ran from October 2, 1950, to February 13, 2000, continuing in reruns afterward.The strip is the most popular and influential in the history of the comic strip, with 17,897 strips published in all, making it arguably the longest story ever told by one human being, according to Robert Thompson of Syracuse University. At its peak, Peanuts ran in over 2,600 newspapers, with a readership of 355 million in 75 countries, and was translated into 21 languages.More reading:http://en.wikipedia.org/wiki/Charles_M._Schulzhttp://en.wikipedia.org/wiki/Peanuts

GRE vs. GMAT Which Test Should MBA Applicants Take

Astonishing Information Regarding Ancient Asia Essay Topics Exposed

Astonishing Information Regarding Ancient Asia Essay Topics Exposed Top Ancient Asia Essay Topics Secrets Actually, in the majority of the information reveal that Ancient China is the largest country that's full of civilization and she influenced Ancient Korea in a lot of the ways. Literary in Ancient China also is the essential things that may demonstrate the culture and thought, and literary can allow the posterity know more concerning that period of time, because this is a sort of history to let people know about things at distinct dynasties. Ancient Korea is an exceptional country you may get the shadow of china culture readily, but it's still true that you can experience their distinctive culture. Actually, it has a long history that similar with Ancient China, especially in the dimension of religion. Perhaps you still must understand more about the way to compose a history paper. Or the paper might concentrate on medical discoveries, like the polio vaccine or penicilli n. It is an impossible task to write a fantastic history paper if you write about something you find boring and don't care about whatsoever. Thus, writing a history paper will definitely be fun, if you only pick a really intriguing history essay topic. What Ancient Asia Essay Topics Is - and What it Is Not If you wish to compose a controversial essay, you definitely must look for the most effective social issues topics or satire topics. Nearly all history essay topics are too big for a couple pages. No matter the topic is that you pick for your argumentative essay below are some ideas on how to start with the writing process. There are a few great topics to think about when picking a topic for your argumentative essay. You might also examine a single religion more closely (like Buddhism, Confucianism, or Christianity) and examine the method by which the religion differs in numerous sections of the planet. Argumentative essay topics are so important since they are debatable and it's critical to at all times be critically contemplating the world around us. Recent argumentative essay topics that are related to society is going to do. Conflicts between individuals of different religions. Such essays shall have a good deal of quotations, based just on facts and laws, and show no more than the actual picture of the instance. Before submitting your assignment, you want to make certain that it's flawless and error-free. The multiple topics might be found, for instance, in the dissertation abstracts international database. The subject for your paper is crucial because in case you get a good comprehension of the topic, you will have the ability to finish a winning assignment. Gossip, Deception and Ancient Asia Essay Topics Three significant religions had a substantial influence on Chinese art through out recent years. Select the period of life which you think is best and compose an essay arguing why it's the very best time of life. There are lots of t hings to argue when it has to do with the law. Sexist advertising needs to be banned 11. The Lost Secret of Ancient Asia Essay Topics When it has to do with writing an argumentative essay, the most significant issue to do is to select a topic and an argument you can really get behind. One of the very first things to think about is what sort of essay you will write. Write an essay to convince your principal your idea is one which should be adopted. Perhaps you simply do not know the subject well enough, and that's the reason you can't locate the idea for your history essay. It is advised to steer clear of argument essay topics on moral issues because they don't support logical discussion. So far as essay structure goes, a 4 or 5 paragraph essay based on the number of points you may wish to argue is a great start. There are just a few things that define whether an essay you're working on is going to be a good one. When prior brainstorming is finished, you might begin drafting your essay. Begin a list of questions which you'd love to have answered. When you select the best topic you shall ensure it is attractive to the reader. The list was initially developed as a way to provide students in my course with a broad enough collection of topics they wouldn't all try to use the exact library resources simultaneously. Write a list of ideas you've got or a list of things you're interested in. The Nuiances of Ancient Asia Essay Topics Some teens are so involved in the digital world of internet gaming and media they don't really focus on things and issues around them. There are several big civilizations on earth today. Write an essay to convince the adults in your house to lend you the car whenever you would like it. Therefore, the history of ancient Asia provides a huge number of questions for research. Ancient Asia Essay Topics Features When it has to do with the middle school, the argumentative essay incorporates moderate topics. Nevertheless, if you want to get a great grade, you are going to want to go for a flawless history essay topic! Pre-written essays don't always solve all the academic difficulties. An argumentative essay is a sort of academic papers that students write in the center school. Bear in mind that you may make funny argumentative essays if you do a few things. A very clear and appropriate issue, along with a credible study, will draw the interest of readers, though a feeble and hackneyed topic will appear uninspiring and uninteresting. Remain realistic and pick a topic you're able to research. Sta rt looking for the worldwide history essay topics in the news or on the internet. When you're passionate about what you're writing, you are able to look at it from various facets and come up with brainstormed solutions to deal with the difficulties. There are invariably a vast range of opinions on the topic of technology, and here are our favourite things to consider on the subject. This way you'll limit your topics to the one which is right for you. If you discover a few really tricky examples of topics, then it'll be far easier that you do the job.

Lee College free essay sample

An alternate for the Statement of Activites is the combination between the Statement of Unrestricted Revenues, Expenses and Other Changes in Unrestricted Net Assets and the Statement of Changes in Net Assets. These three statements are interchangable, in the fact that either one statement can be provided, or two statements can be provided instead. Although they are interchangable in a sense, they are prepared differently. The Statement of Activites includes all of the information the other two statements provide—it’s just in one place. Private colleges are required to report their net assets in three ways, unrestricted, temporarily restricted and permanetly restricted. Here we will discuss what these net asset categories mean, how it relates to Lee College and how the three interchangable statements are prepared. The Statement of Activites gives an overview of the unrestricted, temporarily restricted and permanently restricted revenues, gains and other support for Lee College. This statement allows you to compare each net asset cost to one another. We will write a custom essay sample on Lee College or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The revenues are specifically listed out between what type of revenue the item is, from scholarships, grants, contributions, sales and so on. Same with the expenses, these items are listed out as well, to show what type of expense and how much money is spent. Most of the revenues for Lee College are considered unrestricted, meaning the college can use these revenues at their discression and they do not have restrictions or guidelines that have to be followed to use the funds. There are both grants and contributions given to Lee College that are temporarily restricted. Funds and donations that are temporarily restricted have specificifications or restrictions that they have to be used under. The restrictions are given to the college by the donor and eventually be lifted after a period of time set by the donor. Under the permanently restricted column of the Statement of Activites, there are both contributions and gains on long term investments that are listed here. Permanently restricted revenues are intended for plant items to be maintained permanently. Lee College has contributions and long term investment gains that are permanently restricted. Also under the revenues, there are net assests released from restrictions. What happened in Lee College’s situation is that the program/use restrictions, plant acquistion restrictions and other expiration of time restrictions were lifted, adding these amounts to the unrestricted column, but they are taken out of the temporarily restricted column; because they are no longer considered temporarily restricted. Each column for revenues, gains and other support as well as the net assests released from restrictions are added to a total. Below them are the expenses for Lee College. Expenses are considered unrestricted, so there are not items in the temporarily or permanently restricted columns. The total expenses are then taken from the total revenues, gains and other support to calculate the change in net assets. This total is then added the beginning net asset amount. The total between the two is the net assets ending for December 12, 2012. The Statement of Unrestricted Revenues, Expenses and Other Changes in Unrestricted Net Assets only lists the unrestr icted revenues, net assets released from restrictions (because these have been transferred from temporarily restricted to unrestricted, as noted above), and expenses and losses. Rather than stating the net asset change in all three categories, this specifically shows the increase (or decrease) in the unrestricted net assets. After completing all of the statements required, if you take the first column, unrestricted assets, this would be your breakdown for the Statement of Unrestricted Revenues, Expenses and Other Changes in Unrestricted Net Assets because that is all this includes. Like the Statement of Activites, the revenues and expenses are listed out to identify where they came from and were spent. * The Statement of Changes in Net Assets includes everything that is in the Statement of Activites, but it is listed in a different way. Unlike the Statement of Activities, where the revenues and expenses are specifically listed out, these items are grouped together so the total amounts can be easily identified as well as determined. The net assets as of December 31, 2012 reflected here is the same as on the Statement of Activities. * Based on the Statement of Net Asset Changes, the net assets increased almost $5 million dollars. I think the main reason there was such an increase was because of the items that had been released from temporary restricted assets, to unrestricted, as well as the permanently restricted contributions to Lee College. Although these contributions are restricted, it still adds to the wealth of the college. There will come a time where these will come to use and will be avaliable as unrestricted funds. Although the expenses are very close to the revenues in 2012, there was still an increase in the net assets for unrestricted net assets of almost $1 million. * References * Copley, P. A. (2011). Essentials of Accounting for Governmental and Not-for-Profit Organizations. (10th ed. ). Boston: McGraw-Hill Irwin.

During the Wind and Rain Language Anaylse Essays

During the Wind and Rain Language Anaylse Essays During the Wind and Rain Language Anaylse Paper During the Wind and Rain Language Anaylse Paper During Wind and Rain During Wind and Rain by Thomas Hardy, a poem based on Time and Death, exploring the notion that in spite of the fact that life affects Joy and happiness, the years will catch up to us and take these moments away. Hardy uses a range of literary devices to enhance the sense of the nature of death and time to the reader. He uses Imagery In the form of metaphors to show that Time and Death work together to bring about the worst of an end to ones life. Sick leaves, white storm birds, rotten rose, and carved names are metaphors that conspire gather to represent death; the sickness of the leaves only occur at the end of Its time, birds are known to flee in the presence of a coming storm or natural disaster, the rotting off flower is the lowest of a roses life, for it is beautiful for the duration of Its life, other then when It meets Death and begins to become deformed and disintegrate. In his use of figurative language, Hardy also has a continuous structure to match hi s theme of Death and Time. The structure appears to stay regular, continuous in its appearance of four stanzas, with seven lines in each stanza with a unvarying ABACA rhyme scheme, which does not complement the to the theme. Hardy uses ellipses in each stanza, on every fifth line, giving a sense that the moment is left unfinished. This fits with the theme as its reflects the presence of Death, that it appears unnoticed and It does not matter how happy you become, you will always be taken away from it. It strengthens the point that Death prevents us from completing everything we want in life, ending the poem with the hint of an inevitable demise. In the end, the poem conjures a sense of transience, imprinting the image that peppiness is fleeting. Hardy gives the impression that he is a fatalist in this piece and his other pieces as he has continuously the repeating theme of Inevitable death and despair. It is implicated that his pessimistic attitude makes him believe that pleasure and contentment is only present for a moment before time catches up with you and you are captured by Death. What I also noticed was that Hardy never refers to himself in this poem; although he believes that Time and Death with catch up on everyone, he does not gives the impression that this would happen to him, as though e can accept everyone elses fate, but not his own. This is reflected In his use of the putting there as the first word of each stanza rather than *we. In essence there Is a repetition of the same effect of tone throughout the poem; of It being consistent till the end of the piece, but there is a shift half way through each of the four stanzas. At the beginning of each stanza there is an aura of contentment and never ending euphoria radiate from his words, with the first five lines being very idyllic. However, in the last two lines of each stanza, there is a shift in tone, making he scene more bleak and conjuring up images of desolation, death, disaster and unavoidable end to each stanza, and the poem itself. Neutral Tones Neutral Tones by Thomas Hardy, is a poem about the meeting of two past lovers, who lack the emotion of which they once felt towards each other. This absence of sensitivity is reflected not only in the facial expressions of the unknown couple, but also in the atmosphere surrounding them. Hardy uses a range of literary devices to project the true feelings, which are radiating from the narrator and his ex-lover. He uses imagery in the form of pathetic fallacy to enhance the lack of emotion in the poem. Although the poem is based on the feelings of which emit from the poem, or deficiency of it, the first and last stanza mainly consist of emphasizing the effect the surroundings play in the scene. The image of the pond [on a] winter day gives the image of a frozen surface; this reflects the emotions as like the still, unmoving, cold water, the feelings between the couple are also frozen and unable to return to how it once was. Hardy also inflicts the image of he sun being white, this not only emphasizes the lack of emotion, but having described it has being chide of God gives the effect that like the sun, their relationship is also cursed. Leaves lay and starving sod are two examples of alliteration and imagery that Hardy had used to accent the themes; leaves lay gives a very dragged out sound when read aloud, while starving sod gives a more staccato and forced effect on the tongue. The use of sibilance enhances the image that like the ground, their relationship is also starving from emotion. The leaves also being gray, shows the lack of bright colors in the surroundings, like the lack of a spark in the couple. In the third stanza, Hardy describes the womans smile to be the deadest thing; the bluntness of the word dead shows the end to the love they once shared, and with it to be alive enough to have the strength to die shows the extremities that has resulted because of their relationship. He uses similes to say that the grin of bitterness swept thereby was similar to the act of like an ominous bird a-wing. , which gives the image of a smooth motion that came easily to the woman. With the bird being ominous emphasizes the idea that for their relationship to continue would be lead to a bad future. With the last three lines of the final stanza reflecting the first stanza shows the effect of the atmosphere on the lack feelings and emotions between the couple. The structure appears to conspire with the theme, as it stays consistent throughout the poem. The poem is formed with four stanzas, with the syllable scheme being it resembles that of a sonnet. It has four lines per stanza with an ABA hymen scheme. This collaborates with the poem as there s no change in emotion throughout the poem, the feeling stay neutral and obvious from beginning to end. However, the poem also appears to be irregular with the use enjambment being random in each stanza and the ellipse at the end of the third stanza leaving the moment unfinished. In the end, the poem summons a sense of apathy in the female character of the story the African tribe of herringboning originated in the BBC, along side where the gods who are still alive since the beginning of man.

How to Use the Pomodoro Technique to Be More Productive [Infographic]

How to Use the Pomodoro Technique to Be More Productive [Infographic] Although we all wish magic fairies would swoop in and finish tasks for us while we wasted the day away on Twitter or  Ã‚  ran all our errands, it’s not going to happen.  The secret to getting your work done? DO it. Really. You have to buckle down and commit focused time to getting stuff done. We understand it’s hard to organize your thoughts and time. The answer is to train yourself and your brain to do work in chunks by using the Pomodoro Technique. Check out this method below, and apply it the next time you find yourself doing everything  else in the world besides  your work.

Revenge - John Milton, Paradise Lost Essay Example | Topics and Well Written Essays - 1000 words

Revenge - John Milton, Paradise Lost - Essay Example The latter no longer is able to rejoice in taking revenge. But why do people still seek revenge? Why is revenge after associated with guilt and fails to bring pleasure the avenger hopes for? The answer lies in the fields of psychology and history. Revenge has been a subject of many academic debates and has become the main element in literature and the world of the Arts. In popular mind it is associated with a ‘sweet’ dish, that is ‘better served cold’, though in a while it proves less satisfying and harmless than in the start. Revenge is believed to have appeared as the outcome of the disputes over the material objects and territory. Later the scope of offence that lead to revenge moved to the realm of social humiliation and honor (Science 25). However, no matter what the causes the revenge are, the main issues concern the disambiguation between revenge and justice, as well as the ways revenge manifests itself. Historically, revenge was one of the means of s ocial organization. Seeking revenge was desirable and prescribed. For example in the Bible, in Exodus 21:23 we can find traces of ‘eye for eye’ approach. Psychologists and historians agree that revenge the form of keeping order within societies where law system was weak (Bibb 13). Revenge bears numerous cultural implications as approaches to it change from century to century, and from country to country. For example, in Ancient Greece revenge That means that historically revenge equals justice, whereas in modern world the role of justice is supported by the system of laws, making revenge no longer as acceptable as in the ancient times (Science 34). Attitudes to revenge vary across cultures. For example, in Ancient Greece revenge was seen as equivalent of punishment. The purpose of revenge in this approach lay in preventing offender and society from repeating the offence, desrtuction of the offender was not the main goal of the act of revenge. The act of revenge unfolded along three main perspectives: a) the desire to cause offender pain; b) the necessity to make him know the person who caused the pain; c) the importance of informing the offender about the reasons for pain , i.e. letting him know that he brought it on himself by mistreating someone. In this view killing a person or ruining reputation was the act of hatred, not revenge. Thus, in Greek culture revenge is not necessarily an act of violence, it serves as a form of punishment as its reasons and causes are clear to the victim. In western culture revenge is often seen as irrational, as something wrong as it stems from resentment and not from moral obligation. At the same time in traditional honor cultures revenge is acceptable and bears no negative implications. In English social culture revenge was the act of restoring one’s social status and honor. In Africa and Asia the concept of revenge is colosly intertwined with the cult of ancestors. The cultures defy vengeance and violence while the concept of ancestral wrath brings about a dilemma (Bibb 45). The causes that make people seek revenge also bear numerous cultural implications. Findings prove that in individual cultures violation of rights and harm to the social status or authority are likely to cause frevenge. In collective culture violation of the sense of duty or the established rule might make a person seek revenge. Moreover, in collective cultures wrong done to one member of the social group is seen as personal offence by other

The most common short term sources of finance that corporations use to Essay

The most common short term sources of finance that corporations use to generate funds - Essay Example This study looks into the short term finances that help in making a long term strategy for the business. They can be used to pay for the salaries of the employees and other administrative costs. There are four most common short term sources of finance that a business uses to finance its expenses and they are: 1) Bank overdraft 2) Short term loans 3) Trade credit 4) Sale of unused assets In today’s modern era, every business maintains a bank account of its own where it deposits the money it receives from the sales generated by the business. As the businesses expand, the ratio of their cash sales ratio decreases to the credit sales ratio, because of which the businesses can face difficulties in paying their short term and immediate expenses such as paying salaries of their work and the heating bill. This is when the businesses ask ‘their’ bank for an overdraft so that they can pay for their expenses. Bank overdraft is a form of loan given by the bank to its customers and businesses, where the customers and businesses are charged interest on the money spent by them. Another option that a business can exercise to pay for its expenditures and administrative costs is by arranging a short term loan from the bank. Any loan taken from the bank that has to be repaid within a year can be defined as ‘short term loan’. Trade credit is the number of days in which a business has to pay for the good it has received from the supplier. The number of days in which the payment has to be made for the business entirely depends on the working relationship between the supplier and the buyer. If the buyer has been maintaining a good reputation and has always being paying on time, the supplier may also go a little easy on the buyer by giving him enough time to arrange for the funds. Most businesses only exercise this source of finance when all their sources of finance are have been used up. In this source of finance, funds are generated by selling unused fixed assets of a business or assets that the business is not making full use of, which may include extra machinery, buildings and vehicles. By selling the unused fixed assets, the business is able to generate enough funds to meet its requirements. In 2010, LukOil used four sources of finance to meet their requirements which were, Trade Credit, Sale of investments, Sale of property and Sale of its subsidiary companies. To generate funds to meet its short term obligations, LukOil had to sell its short term investments, which included bonds and other cash equivalents. In addition to that, LukOil also sold some of its subsidiary companies to generate enough cash for the company so that they don’t have to arrange for a bank overdraft or short term loans to pay for the expenses. The company also sold some of its property that it had bought long time back for expanding purposes, in order to generate cash to meet the short term obligations of the company. On the other hand, the primary sources of finance that were used by Premier oil to finance its expenses were Trade Credit, Sale of unused assets and Sale of investments. Premier oil asked their suppliers to extend the payment time given to them so that they meet their other short term expenses first, and then, when they have enough funds, the suppliers will be paid. This helped in solving the problem of meeting short term obligations for Premier Oil. Another source through which Premier Oil arranged for funds to meet its short term obligations was sale of its unused fixed assets, the assets that the company had in surplus. This included sale

Children At Work :: Essays Papers

Children At Work Autonomy, Responsibility and Child Labor-Introduction and Conclusion Child labor has recently become a very touchy subject throughout the world. Well known corporations and clothing and sporting goods distributors that have for decades been taking advantage of cheap labor in third world countries are seeing their names and images tarnished by allegations of child labor practices and obscene working conditions. Child labor is nothing new to the world. It has been a part of almost every society in recorded history. From ancient times, children have been a part of the economic survival of their families, particularly in industries like the farming and crafting industries. What remains confusing is the exact definition that separates child labor from just children doing work. Child labor is meant to define unfair, abusive work whereas work is an important part of the sculpting of most children. There is no question in society that some forms of labor are acceptable and some are not. Children may work without being abused and in many countries and even some American cultures, it is both necessary and integral that children perform some laborious duties. The line between work and child labor is most commonly drawn where normal tasks are replaced with exploitative tasks and children are expected to do things that go well beyond the borders of inhumane. An example of this overstepping the boundaries is the following text taken from an actual court case in 1833 following an investigation into the practice of child labor during the British industrial revolution: "Have you ever been employed in a factory? --Yes" "At what age did you first go to work in one? --Eight" "How long did you continue in the occupation? --Four years" "Will you state the hours of labour at the period when you first went to the factory, in ordinary times? --From 6 in the morning to 8 at night." "Fourteen hours? --yes" "With what intervals for refreshment and rest? -- An hour at noon." "When Trade was brisk what were your hours?--From 5 in the morning to 9 in the evening" "Sixteen hours? --Yes" "With what intervals at dinner? --An hour" "During those long hours of labor could you be punctual, how did you awake?-- I seldom did awake spontaneously; I was most generally awoke or lifted out of bed, sometimes asleep, by my parents.

Foundation’s Edge CHAPTER NINE HYPERSPACE

HYPERSPACE Trevize said, â€Å"Are you ready, Janov?† Pelorat looked up from the book he was viewing and said, â€Å"You mean, for the jump, old fellow?† â€Å"For the hyperspatial jump. Yes.† Pelorat swallowed. â€Å"Now, you're sure that it will be in no way uncomfortable. I know it is a silly thing to fear, but the thought of having myself reduced to incorporeal tachyons, which no one has ever seen or detected†¦Ã¢â‚¬  â€Å"Come, Janov, it's a perfected thing. Upon my honor! The jump has been in use for twenty-two thousand years, as you explained, and I've never beard of a single fatality in hyperspace. We might come out of hyperspace in an uncomfortable place, but then the accident would happen in space – not while we are composed of tachyons.† â€Å"Small consolation, it seems to me.† â€Å"We won't come out in error, either. To tell you the truth, I was thinking of carrying it through without telling you, so that you would never know it had happened. On the whole, though, I felt it would be better if you experienced it consciously, saw that it was no problem of any kind, and could forget it totally henceforward.† â€Å"Well † said Pelorat dubiously. â€Å"I suppose you're right, but ‘honestly I'm in no hurry.† â€Å"I assure you†¦Ã¢â‚¬  â€Å"No no, old fellow, I accept your assurances unequivocally. It's just that – Did you ever read Sanertestil Matt?† â€Å"Of course. I'm not illiterate.† â€Å"Certainly. Certainly. I should not have asked. Do you remember it?† â€Å"Neither am I an amnesiac.† â€Å"I seem to have a talent for offending. All I mean is that I keep thinking of the scenes where Santerestil and his friend, Ban, have gotten away from Planet 17 and are lost in space. I think of those perfectly hypnotic scenes among the stars, lazily moving along in deep silence, in changelessness, in†¦ Never believed it, you know. I loved it and I was moved by it, but I never really believed it. But now – after I got used to just the notion of being in space, I'm experiencing it and – it's silly, I know – but I don't want to give it up. It's as though I'm Santerestil†¦Ã¢â‚¬  â€Å"And I'm Ban,† said Trevize with just an edge of impatience. â€Å"In a way. The small scattering of dim stars out there are motionless, except our sun, of course, which must be shrinking but which we don't see. The Galaxy retains its dim majesty, unchanging. Space is silent and I have no distractions†¦Ã¢â‚¬  â€Å"Except me.† â€Å"Except you. – But then, Golan, dear chap, talking to you about Earth and trying to teach you a bit of prehistory has its pleasures, too. I don't want that to come to an end, either.† â€Å"It won't. Not immediately, at any rate. You don't suppose we'll take the jump and come through on the surface of a planet, do you? We'll still be in space and the jump will have taken no measurable time at ail. It may well be a week before we make surface of any kind, so do relax.† â€Å"By surface, you surely don't mean Gaia. We may be nowhere near Gaia when we come out of the jump.† â€Å"I know that, Janov, but we'll be in the right sector, if your information is correct. If it isn't – well†¦Ã¢â‚¬  Pelorat shook his head glumly. â€Å"How will being in the right sector help if we don't know Gaia's co-ordinates?† Trevize said, â€Å"Janov, suppose you were on Terminus, heading for the town of Argyropol, and you didn't know where that town was except that it was somewhere on the isthmus. Once you were on the isthmus, what would you do?† Pelorat waited cautiously, as though feeling there must be a terribly sophisticated answer expected of him. Finally giving up, he said, â€Å"I suppose I'd ask somebody.† â€Å"Exactly! What else is there to do? – Now, are you ready?† â€Å"You mean, now?† Pelorat scrambled to his feet, his pleasantly unemotional face coming as near as it might to a look of concern. â€Å"What am I supposed to do? Sit? Stand? What?† â€Å"Time and Space, Pelorat, you don't do anything. Just come with me to my room so I can use the computer, then sit or stand or turn cartwheels – whatever will make you most comfortable. My suggestion is that you sit before the viewscreen and watch it. It's sure to be interesting. Come!† They stepped along the short corridor to Trevize's room and he seated himself at the computer. â€Å"Would you like to do this, Janov?† he asked suddenly. â€Å"I'll give you the figures and all you do is think them. The computer will do the rest.† Pelorat said, â€Å"No thank you. The computer doesn't work well with me, somehow. I know you say I just need practice, but I don't believe that. There's something about your mind, Golan†¦Ã¢â‚¬  â€Å"Don't be foolish.† â€Å"No no. That computer just seems to fit you. You and it seem to be a single organism when you're hooked up. When I'm hooked up, there are two objects involved – Janov Pelorat and a computer. It's just not the same.† â€Å"Ridiculous,† said Trevize, but he was vaguely pleased at the thought and stroked the hand-rests of the computer with loving fingertips. â€Å"So I'd rather watch,† said Pelorat. â€Å"I mean, I'd rather it didn't happen at all, but as long as it will, I'd rather watch.† He fixed . his eyes anxiously on the viewscreen and on the foggy Galaxy with the thin powdering of dim stars in the foreground. â€Å"Let me know when it's about to happen.† Slowly he backed against the wall and braced himself. Trevize smiled. He placed his hands on the rests and felt the mental union. It came more easily day by day, and more intimately, too, and however he might scoff at what Pelorat said – he actually felt it. It seemed to him he scarcely needed to think of the co-ordinates in any conscious way. It almost seemed the computer knew what he wanted, without the conscious process of â€Å"telling.† It lifted the information out of his brain for itself. But Trevize â€Å"told† it and then asked for a two-minute interval before the jump. â€Å"All right, Janov. We have two minutes: 120 – 115 – 110 Just watch the viewscreen.† Pelorat did, with a slight tightness about the corners of his mouth and with a holding of his breath. Trevize said softly, â€Å"15 – 10 – 5 – 4 – 3 – 2 – 1 – 0† With no perceptible motion, no perceptible sensation, the view on the screen changed. There was a distinct thickening of the starfield and the Galaxy vanished. Pelorat started and said, â€Å"Was that it?† â€Å"Was what it? You flinched. But that was your fault. You felt nothing. Admit it.† â€Å"I admit it.† â€Å"Then that's it. Way back when hyperspatial travel was relatively new – according to the books, anyway – there would be a queer internal sensation and some people felt dizziness or nausea. It was perhaps psychogenic, perhaps not. In any case, with more and more experience with hyperspatiality and with better equipment, that decreased. With a computer like the one on board this vessel, any effect is well below the threshold of sensation. At least, I find it so.† â€Å"And I do, too, I must admit. Where are we, Golan?† â€Å"Just a step forward. In the Kalganian region. There's a long way to go yet and before we make another move, we'll have to check the accuracy of the jump.† â€Å"What bothers me is – where's the Galaxy?† â€Å"All around us, Janov. We're weal inside it, now. If we focus the viewscreen properly, we can see the more distant parts of it as a luminous band across the sky.† â€Å"The Milky Way!† Pelorat cried out joyfully. â€Å"Almost every world describes it in their sky, but it's something we don't see on Terminus. Show it to me, old fellow!† The viewscreen tilted, giving the effect of a swimming of the starfield across it, and then there was a thick, pearly luminosity nearly filling the field. The screen followed it around, as it thinned, then swelled again. Trevize said, â€Å"It's thicker in the direction of the center of the Galaxy. Not as thick or as bright as it might be, however, because of the dark clouds in the spiral arms. You see something like this from most inhabited worlds.† â€Å"And from Earth, too.† â€Å"That's no distinction. That would not be an identifying characteristic.† â€Å"Of course not. But you know. – You haven't studied the history of science, have you?† â€Å"Not really, though I've picked up some of it, naturally. Still, if you have questions to ask, don't expect me to be an expert.† â€Å"It's just that making this jump has put me in mind of something that has always puzzled me. It's possible to work out a description of the Universe in which hyperspatial travel is impossible and in which the speed of light traveling through a vacuum is the absolute maximum where speed is concerned.† â€Å"Certainly.† â€Å"Under those conditions, the geometry of the Universe is such that it is impossible to make the trip we have just undertaken in less time than a ray of light would make it. And if we did it at the speed of light, our experience of duration would not match that of the Universe generally. If this spot is, say, forty parsecs from Terminus, then if we had gotten here at the speed of light, we would have felt no time lapse – but on Terminus and in the entire Galaxy, about a hundred and thirty years would have passed. Now we have made a trip, not at the speed of light but at thousands of times the speed of light actually, and there has been no time advance anywhere. At least, I hope not.† Trevize said, â€Å"Don't expect me to give you the mathematics of the Olanjen Hyperspatial Theory to you. All I can say is that if you had traveled at the speed of light within normal space, time would indeed have advanced at the rate of 3.26 years per parsec, as you described. The so-called relativistic Universe, which humanity has understood as far back as we can probe inter prehistory – though that's your department, I think – remains, and its laws have not been repealed. In our hyperspatial jumps, however, we do something out side the conditions under which relativity operates and the rules are different. Hyperspatially the Galaxy is a tiny object – ideally a nondimensional dot – and there are no relativistic effects at all. â€Å"In fact, in the mathematical formulations of cosmology, there are two symbols for the Galaxy: Gr for the â€Å"relativistic Galaxy,† where the speed of light is a maximum, and Gh for the â€Å"hyperspatial Galaxy,† where speed does not really have a meaning. Hyperspatially the value of all speed is zero and we do not move with reference to space itself, speed is infinite. I can't explain things a bit more than that. â€Å"Oh, except that one of the beautiful catches in theoretical physics is to place a symbol or a value that has meaning in Gr into an equation dealing with G11 – or vice versa – and leave it there for a student to deal with. The chances are enormous that the student falls into the trap and generally remains there, sweating and panting, with nothing seeming to work, till some kindly elder helps him out. I was neatly caught that way, once.† Pelorat considered that gravely for a while, then said in a perplexed sort of way, â€Å"But which is the true Galaxy?† â€Å"Either, depending on what you're doing. If you're back on Terminus, you can use a car to cover distance on land and a ship to cover distance across the sea. Conditions are different in every way, so which is the true Terminus, the land or the sea?† Pelorat nodded. â€Å"Analogies are always risky,† he said, â€Å"but I'd rather accept that one than risk my sanity by thinking about hyperspace any further. I'll concentrate on what we're doing now.† â€Å"Look upon what we just did,† said Trevize, â€Å"as our first stop toward Earth.† And, he thought to himself, toward what else, I wonder. â€Å"Well,† said Trevize. â€Å"I've wasted a day.† â€Å"Oh?† Pelorat looked up from his careful indexing. â€Å"In what way?† Trevize spread his arms. â€Å"I didn't trust the computer. I didn't dare to, so I checked our present position with the position we had aimed at in the jump. The difference was not measurable. There was no detectable error.† â€Å"That's good, isn't it?† â€Å"It's more than good. It's unbelievable. I've never heard of such a thing. I've gone through jumps and I've directed them, in all kinds of ways and with all kinds of devices. In school, I had to work one out with a hand computer and then I sent off a hyper-relay to check results. Naturally I couldn't send a real ship, since – aside from the expense – I could easily have placed it in the middle of a star at the other end. â€Å"I never did anything that bad, of course,† Trevize went on, â€Å"but there would always be a sizable error. There's always some error, even with experts. There's got to be, since there are so many variables. Put it this way – the geometry of space is too complicated to handle and hyperspace compounds all those complications with a complexity of its own that we can't even pretend to understand. That's why we have to go by steps, instead of making one big jump from here to Sayshell. The errors would grow worse with distance.† Pelorat said, â€Å"But you said this computer didn't make an error.† â€Å"It said it didn't make an error. I directed it to check our actual position with our precalculated position – ‘what is' against ‘what was asked for.' It said that the two were identical within its limits of measurement and I thought: What if it's lying?† Until that moment, Pelorat had held his printer in his hand. He now put it down and looked shaken. â€Å"Are you joking? A computer can't lie. Unless you mean you thought it might be out of order.† â€Å"No, that's not what I thought. Space! I thought it was lying. This computer is so advanced I can't think of it as anything but human – superhuman, maybe. Human enough to have pride – and to lie, perhaps. I gave it directions – to work out a course through hyperspace to a position near Sayshell Planet, the capital of the Sayshell Union. It did, and charted a course in twenty-nine steps, which is arrogance of the worst sort.† â€Å"Why arrogance?† â€Å"The error in the first jump makes the second jump that much less certain, and the added error then makes the third jump pretty wobbly and untrustworthy, and so on. How do you calculate twenty-nine steps all at once? The twenty-ninth could end up anywhere in the Galaxy, anywhere at all. So I directed it to make the first step only. Then we could check that before proceeding.† â€Å"The cautious approach,† said Pelorat warmly. â€Å"I approve!† â€Å"Yes, but having made the first step, might the computer not feel wounded at my having mistrusted it? Would it then be forced to salve its pride by telling me there was no error at all when I asked it? Would it find it impossible to admit a mistake, to own up to imperfection? If that were so, we might as well not have a computer.† Pelorat's long and gentle face saddened. â€Å"What can we do in that case, Golan?† â€Å"We can do what I did – waste a day. I checked the position of several of the surrounding stars by the most primitive possible methods: telescopic observation, photography, and manual measurement. I compared each actual position with the position expected if there had been no error. The work of it took me all day and wore me down to nothing.† â€Å"Yes, but what happened?† â€Å"I found two whopping errors and checked them over and found them in my calculations. I had made the mistakes myself. I corrected the calculations, then ran them through the computer from scratch – just to see if it would come up with the same answers independently. Except that it worked them out to several more decimal places, it turned out that my figures were right and they showed that the computer had made no errors. The computer may be an arrogant son-of-the-Mule, but it's got something to be arrogant about.† Pelorat exhaled a long breath. â€Å"Well, that's good.† â€Å"Yes indeed! So I'm going to let it take the other twenty-eight steps.† â€Å"All at once? But†¦Ã¢â‚¬  â€Å"Not all at once. Don't worry. I haven't become a daredevil just yet. It will do them one after the other – but after each step it will check the surroundings and, if that is where it is supposed to be within tolerable limits, it can take the next one. Any time it finds the error too great – and, believe me, I didn't set the limits generously at all – it will have to stop and recalculate the remaining steps.† â€Å"When are you going to do this?† â€Å"When? Right now. – Look, you're working on indexing your Library†¦Ã¢â‚¬  â€Å"Oh, but this is the chance to do it, Golan. I've been meaning to do it for years, but something always seemed to get in the way.† â€Å"I have no objections. You go on and do it and don't worry. Concentrate on the indexing. I'll take care of everything else.† Pelorat shook his head. â€Å"Don't be foolish. I can't relax till this is over. I'm scared stiff.† â€Å"I shouldn't have told you, then – but I had to tell someone and you're the only one here. Let me explain frankly. There's always the chance that we'll come to rest in a perfect position in interstellar space and that that will happen to be the precise position which a speeding meteoroid is occupying, or a mini-black hole, and the ship is wrecked, and ;we're dead. Such things could – in theory – happen. â€Å"The chances are very small, however. After all, you could be at home, Janov – in your study and working on your films or in your bed sleeping – and a meteroid could be streaking toward you through Terminus's atmosphere and hit you right in the head and you'd be dead. But the chances are small. â€Å"In fact, the chance of intersecting the path of something fatal, but too small for the computer to know about, in the course of a hyperspatial jump is far, far smaller than that of berg hit by a meteor in your home. I've never heard of a ship being lost that way in all the history of hyperspatial travel. Any other type of risk – like ending in the middle of a star – is even smaller.† Pelorat said, â€Å"Then why do you tell me all this, Golan?† Trevize paused, then bent his head in thought, and finally said, â€Å"I don't know. – Yes, I do. What I suppose it is, is that however small the chance of catastrophe might be, if enough people take enough chances, the catastrophe must happen eventually. No matter how sure I am that nothing will go wrong, there's a small nagging voice inside me that says, ‘Maybe it will happen this time.' And it makes me feel guilty. – I guess that's it. Janov, if something goes wrong, forgive me!† â€Å"But Golan, my dear chap, if something goes wrong, we will both be dead instantly. I will not be able to forgive, nor you to receive forgiveness.† â€Å"I understand that, so forgive me now, will you?† Pelorat smiled. â€Å"I don't know why, but this cheers me up. There's something pleasantly humorous about it. Of course, Golan, I'll forgive you. There are plenty of myths about some form of afterlife in world literature and if there should happen to be such a place – about the same chance as landing on a mini-black hole, I suppose, or less – and we both turn up in the same one, then I will bear witness that you did your honest best and that my death should not be laid at your door.† â€Å"Thank you! Now I'm relieved. I'm willing to take my chance, but I did not enjoy the thought of you taking my chance as well.† Pelorat wrung the other's hand. â€Å"You know, Golan, I've only known you less than a week and I suppose I shouldn't make hasty judgments in these matters, but I think you're an excellent chap. – And now let's do it and get it over with.† â€Å"Absolutely! All I have to do is touch that little contact. The computer has its instructions and it's just waiting for me to say: ‘Starts' Would you like to†¦Ã¢â‚¬  â€Å"Never! It's all yours? It's your computer.† â€Å"Very well. And it's my responsibility. I'm still trying to duck it, you see. Keep your eye on the screen!† With a remarkably steady hand and with his smile looking utterly genuine, Trevize made contact. There was a momentary pause and then the starfield changed – and again – and again. The stars spread steadily thicker and brighter over the viewscreen. Pelorat was counting under his breath. At â€Å"15† there was a halt, as though some piece of apparatus had jammed. Pelorat whispered, clearly afraid that any noise might jar the mechanism fatally. â€Å"What's wrong? What's happened?† Trevize shrugged. â€Å"I imagine it's recalculating. Some object in space is adding a perceptible bump to the general shape of the overall gravitational field – some object not taken into account – some uncharted dwarf star or rogue planet†¦Ã¢â‚¬  â€Å"Dangerous?† â€Å"Since we're still alive, it's almost certainly not dangerous. A planet could be a hundred million kilometers away and still introduce a large enough gravitational modification to require recalculation. A dwarf star could be ten billion kilometers away and†¦Ã¢â‚¬  The screen shifted again and Trevize fell silent. It shifted again – and again. – Finally, when Pelorat said, â€Å"a8,† there was no further motion. Trevize consulted the computer. â€Å"We're here,† he said. â€Å"I counted the first jump as ‘r.' and in this series I started with ‘z' That's twenty-eight jumps altogether. You said twenty-nine.† â€Å"The recalculation at jump is probably saved us one jump. I can check with the computer if you wish, but there's really no need. We're in the vicinity of Sayshell Planet. The computer says so and I don't doubt it. If I were to orient the screen properly, we'd see a nice, bright sun, but there's no point in placing a needless strain on its screening capacity. SaysheIl Planet is the fourth one out and it's about 3.2 million kilometers away from our present position, which is about as close as we want to be at a jump conclusion. We can get there in three days – two, if we hurry.† Trevize drew a deep breath and tried to let the tension drain. â€Å"Do you realize what this means, Janov?† he said. â€Å"Every ship I've ever been in – or heard of – would have made those jumps with at least a day in between for painstaking calculation and re-checking, even with a computer. The trip would have taken nearly a month. â€Å"Or perhaps two or three weeks, if they were willing to be reckless about it. We did it in half an hour. When every ship is equipped with a computer like this one†¦Ã¢â‚¬  Pelorat said, â€Å"I wonder why the Mayor' let us have a ship this advanced. It must be incredibly expensive.† â€Å"It's experimental,† said Trevize dryly. â€Å"Maybe fine good woman was perfectly willing to have us try it out and see what deficiencies might develop.† â€Å"Are you serious?† â€Å"Don't get nervous. After all, there's nothing to worry about. We haven't found any deficiencies. I wouldn't put it past her, though. Such a thing would put no great strain on her sense of humanity. Besides, she hasn't trusted us with offensive weapons and that cuts the expense considerably.† Pelorat said thoughtfully, â€Å"It's the computer I'm thinking about. It seems to be adjusted so well for you – and it can't be adjusted that well for everyone. It just barely works with me.† â€Å"So much the better for us, that it works so well with one of us.† â€Å"Yes, but is that merely chance?† â€Å"What else, Janov?† â€Å"Surely the Mayor knows you pretty well.† â€Å"I think she does, the old battlecraft.† â€Å"Might she not have had a computer designed particularly for you?† â€Å"I just wonder if we're not going where the computer wants to take us.† Trevize stared. â€Å"You mean that while I'm connected to the computer, it is the computer – and not me – who is in real charge?† â€Å"I just wonder.† â€Å"That is ridiculous. Paranoid. Come on, Janov.† Trevize turned back to the computer to focus Sayshell Planet on the screen and to plot a normal-space course to it. Ridiculous! But why had Pelorat put the notion into his head?

Climate Change And The Quest For Clean Energy - 1604 Words

Climate Change and the Quest for Clean Energy Final Exam YALE STUDENT ID: _______________914684600________________________ Part A (select one question to answer): 2. Maurice Strong (the Secretary General of the 1992 Rio Earth Summit) liked to distinguish between â€Å"success† and â€Å"real success† in international agreements. Discuss the 2015 Paris climate change agreement with regard to whether it represents success or real success. Last week at Yale School of Forestry and Environmental Studies, Ms. Christiana Figueres, the charismatic Executive Secretary of the UN Framework Convention on Climate Change (UNFCCC) since 2010, gave a talk highlighting the great outcome presented at COP-21 meeting last December in Paris. She referred to the†¦show more content†¦There is no policy issue with such complex distribution of costs and benefits as climate change, making really problematic to assign responsibilities among the parties involved. As a result, we observed a huge implementation and accountability gap that accumulated throughout the past negotiations2. The crucial long-term global governance ended up compromised by the shortsighted political and sectorial administrative systems, always tending to consider only immediate national interests. In that sense, the Paris Agreement can be seen as a success since it accomplished to bring to the table more than 180 countries to commit to a common goal. Not only th at, countries submitted their voluntary plans for reducing carbon emissions with the formulation of the ‘intended nationally determined contributions’ (INDC’s). Like Ms. Figueres said â€Å"the Agreement sets an incontrovertible new direction toward a cleaner energy future†1. She also acknowledges it only represents a step into a long and hard process. Needless to say, real success will require a lot of hard work and steady efforts to take the Agreement’s spirit and vision to concrete advances. Still on the successes of building up a momentum for action, the climate agreement conveyed the collaboration of a broad set of actors to strengthen the commitments. The top-down approach of relying on national governments as leaders for climate response is now being reframed towards a more inclusive space for action. Much